It’s been three years since the last time a kid’s dance studio opened in Australia.
And in a country with a history of closed doors, that’s still the case.
The big dance studio phenomenon in Australia is a phenomenon in its own right, but it is only the tip of the iceberg when it comes to what’s happening across the world.
It’s the kind of thing that’s rarely seen outside of New York and the US, and it’s a trend that is only set to grow.
Australia is home to many dance studios, with the likes of Silly Party and The Clubhouse at the University of Sydney and the National Dance Centre at the Gold Coast attracting audiences from around the country.
And while most of them cater for kids under the age of 18, many more cater to adults.
While the country may not have the same dance industry culture as New York, it does have an international reputation for creating some of the world’s best talent.
The problem is, it’s all closed.
There’s nothing you can see or do in the back of the dance studio.
You can walk in, but there’s no interaction between the manager and the dance students.
And it’s not until you’re out on the dance floor that you’ll get the chance to talk to the owner.
“It’s a bit like a movie theatre.
If you go to a cinema and you see a film, you go and sit in the theatre, but the movie is closed,” says James, who runs his own dance studio in Melbourne’s CBD.
“The next time you come back, you’ll see it’s closed.”
James’s dance company is one of the few around the world that are not controlled by a promoter.
The management are all volunteers who do a bit of “maintenance work”, helping to keep the lights on and running, but James himself is still a young dancer.
James explains that his company does most of the work for him and his partner.
It’s their job to take turns performing, which is where the real fun is.
In fact, when you walk in to James’s studio, there’s a whole room of students on the floor performing.
There are even two people in the studio doing the same choreography for the students.
But James is still the one in charge.
What’s the big deal about kids’ dance studios?
For one thing, there is the whole concept of kids being taught how to dance in the traditional way.
There is no music, no lights, no dancers, no props, just the music and the kids doing the work.
But it’s still a bit hard to break away from that world when you’re in the middle of a production.
You’re supposed to be in the room, so when you arrive, you’re surrounded by kids.
And you don’t really have a chance to speak to the owners or managers about what you’re doing, or even about what’s going on around you.
One of the biggest issues when it come to kids’ dances is that they’re taught to do what they’re supposed not to do, says James.
He’s not sure how much control he has over the kids, but he says that his experience is different to the ones he’s had with other studios in the US.
While he’s not a promoter himself, James runs a company called The Club House.
James is also the manager of the Melbourne Dance Theatre, which runs several other dance studios around Melbourne.
He says he’s happy with the way his company runs their classes.
There are a lot of clubs around Melbourne that are owned by their management and they’re all run by the management, so you can’t really change things, he says.
But the staff of the clubs do a great job of educating kids.
James says he also has some concerns about the way he’s taught the kids.
He explains that when he first started teaching kids to dance, he was doing it in a very strict and strict way.
And, as you might expect, that doesn’t work very well when you get into the age group where the majority of kids aren’t going to be dancing.
So, in terms of teaching, James says the most important thing is to be as gentle as possible with the kids in the classes, and to encourage them to go for their dreams.
The main thing is you want to be respectful and just be nice, he adds.
To be fair, there are plenty of other clubs in Melbourne that run their classes with the same level of professionalism.
But it’s also important to remember that the kids are just going to dance as long as they’re doing their homework.
I think it’s pretty important that people know the rules, and you don.
There will be times when you have to tell the kids they have to stop, or stop when they get tired, or when the instructor asks them to.
But that’s really important